Showing posts with label Larry Collins. Show all posts
Showing posts with label Larry Collins. Show all posts

Monday, November 18, 2019

The Joys of Republishing


I am currently in the process of republishing the six Aspen Grove Romance Anthologies, co-written with Sherry Derr-Wille, Luanna Rugh, Christie Shary, and Cheryl Gardarian. Along with re-editing each of them and adding new covers (which Larry created—and they are gorgeous), I have had to create new video trailers.

I do these myself using PowerPoint and Moviemaker. These aren’t the slick productions some authors create for their books. We don’t have the budget. I like to think they are homey and appealing. And they might draw interest to the books. (I hope)

The first one republished was An Aspen Grove Christmas, number four in the series.

This one is Len Rugh’s favorite of the six anthologies. Larry also likes my novella, “Mistletoe Magic.” (He has reread it several times.) Here’s a link to the new video: https://www.youtube.com/watch?v=iTPxAgXH2r8

Next, I tackled the first book in the series, Snowflake Secrets. I have always loved this story since it takes the reader from 1958 to 2007, the year it was published.

This is the new video for this one: https://www.youtube.com/watch?v=cW449L67E2g. I had to redo it three times. For some reason, the first one looked fuzzy. Don’t know why. The music I chose for this one is a guitar piece by our good friend Dan Gilson. I hope you like it as much as I do.

Jean Ruda Habrukowich, the same producer who recorded …And a Silver Sixpence in Her Shoe, is currently recording this one. So far, we are thrilled with the results.


I just finished republishing …And A Silver Sixpence in her Shoe, the last of the six in the series.
This morning, I uploaded the new video for this one: https://www.youtube.com/watch?v=6lFxeYSB0UE.

Jean Ruda Habrukowich did a great job recording this one when the first edition came out. https://www.amazon.com/Silver-Sixpence-Her-Shoe-Aspen/dp/B013V6RNF4/ref=sr_1_5?keywords=and+a+silver+sixpence+collins&qid=1574095934&s=books&sr=1-5. I sent ACX the new cover art, and they will replace the old cover on the audiobook soon. (If you would like to hear this one, let me know. I have a few free codes.)

My novella, “Something Old” features a story inspired by the wedding dress my mother wore. She was married during WWII, and she borrowed it from a friend. I have always loved it. (The photo at the beginning of the novella is actually my mother in the dress which inspired the story.)

If you love romance, please check these out. And if you love Christmas stories, the first two are perfect!

I am now starting on another in the series and hope to have all six completed very soon.

Monday, January 6, 2014

Book Covers


Some publishers design the covers for all their books, and the author is not allowed any input. However, we’ve been very lucky with ours. (As a type-A control freak, having some say on what the completed book looks like is very important to me.)

For our first book, 31 Months in Japan: The Building of a Theme Park, we had intended to use a photo of the two of us at Universal Studios Japan on the cover. However, when we submitted it, we discovered the resolution was not good enough. The book block had been approved, and we were very close to the publication date. Larry went to work and sketched the Universal Studios entrance archway and the pagoda in Kyoto. He faxed them to me. (This was in the days before everyone had scanners at work.) I loved them and showed them to some colleagues who agreed.

When we got home that night, he said he would do formal versions of them. However, I love Japanese Sumi-e painting, and his simple pencil sketches had the same quality. So, he scanned the sketches. (We had a scanner at home.) I did the layout and added the background color. We ended up with a cover I love, but poor Larry never got the credit for the artwork.
 

My next book was the first of our five (to date) romance anthologies, Snowflake Secrets. I knew exactly what I wanted for the cover and even arranged four crocheted snowflakes on a large piece of poster board and sent a photo to the cover artist, Melissa Summers. She took the idea and ran with it, creating a terrific cover. (See mock-up and final cover below.)
Melissa has done all the subsequent covers for the anthologies. I send her suggestions, and then she interprets them to create terrific covers which convey the ideas of each of the novellas in the books.

She also worked with me to create the covers for our mysteries. I wanted a bird of paradise on the cover of the first one, Murder…They Wrote, so I took lots of photos and sent her half a dozen of the best. I also said I pictured a woven reed background. She sent a couple that were just wrong. Since we had intended to write a series, I wanted the same background for all of them. I finally laid a placemat on the table, shot a photo and sent it to her. It became the background for the first book as well as the second, Murder in Paradise, which uses another of my photos of outrigger canoes.
The publisher for Larry’s short story anthology, Lakeview Park, provided a cover design. We didn’t like the front cover image, but the back cover one seemed to work with the book. We asked to have the background changed from the original lime green to teal, and loved the results.
I worked with a new publisher for my fantasy, romance, mystery, Ghost Writer. When I received the initial cover, I was appalled. It was clear to me that the artist had no idea what the book was about since the cover showed two half-naked people and would have worked well for an erotic romance. (I only write sweet romance—with no body parts.) Larry mocked up an idea and sent it back. The artist, Karen Phillips, did a great job using this image, and I was delighted with the final version.
Now we are working with award-winning artist Jenifer Ranieri on the cover for our latest book, the Memory Keeper. Our good friend and fabulous artist, Robert Schwenck (http://www.schwenckart.com) has allowed us to use one of his paintings for the cover. I’m confident we’ll end up with a terrific image for the new book.

Does the cover make a difference to you as a reader? Do any authors have stories (good or bad) about getting the right cover designs for their books? How do you like ours?