We were blessed to
be published by two small independent publishers. The owners of both became
dear friends as well as our publishers.
The first company
was sold when the owner could no longer run the business due to Parkinson’s
disease. This situation was sad and distressing since we cared about the people
involved.
We stayed with the
new publisher since they had seven of our titles. So far, they seem okay, if
indifferent, but we haven’t seen any royalties for months. However, getting our
rights back would cost us more than we could make in several years. So, the
books will stay where they are—for now.
The second
publisher had a stroke about two years ago. Again, we felt terrible because she
is a dear friend. In addition, she created a new imprint for my book. Besides being
published by her imprint, I did a great deal of editing for her.
We have prayed for
her recovery and continue to hope she will be able to resume her work, but
after nearly two years without royalties, I felt I had no choice but to take
back my book.
I contacted the
cover artist to find out who owned the cover art. Some artists license their
covers to the publishers and retain their ownership. Others create the books
for the publisher. The publisher pays for the cover and has ownership. This was
the case with my cover. Thank goodness because it is my favorite cover.
The first sample I
received in no way reflected the story. It featured two half-naked people
against an orange sunset. I loathe the color orange, and the cover looked like
it should have been for erotica. Not at all like my book.
Larry mocked up an
idea, and the cover artist took it to a whole new level. It completely reflects
the story.
I contacted the
publisher and requested my rights back. In addition, I asked for the cover
rights in exchange for any money I am owed. Bless her. She gave me full rights
in writing as well as the cover art and the PDF of the book as submitted for
publication.
Then came the hard
work. Fortunately, I have a program with an OCR (Optical character Reader). I
was able to convert the PDF to a text file, so I could create a new Word file.
The downside is in the conversion, all the formatting is lost. Occasionally, words
are lost or wrong. Therefore, a complete edit is necessary, along with new
formatting. But at least I had about 95% of the text intact.
I contacted the cover
artist again. I offered her a small amount to remove the publisher’s information,
and she agreed to do it as well as size the cover for the new book.
I tried to format the
book to closely resemble the original so the transition would appear nearly
seamless. This took lots of time and effort, but the result was worth it.
Once I had the
complete manuscript and cover, I was able to self-publish it as a second
edition. For this one, I added a new section in the back: Book Club Questions.
The book is now
available again on Amazon as a second edition, and I am happy to have complete
ownership of it. From here on, I will have complete control of the book without
depending on anyone else.
Since I did this
one, I have also converted two books for a friend. They had been published by
the same publisher.
I anticipate we may
have to do the same for the other seven books. Someday, we will probably have
all of our books self-published.
I am so thankful that my two books will be going the same route. This has been a difficult time.
ReplyDeleteThe decision hasn't been easy for any of us. It would have been easier if we didn't care so much about our publisher.
DeleteIsn't that an interesting twist? Most new writers want traditional publishers and do not to self-publish.
ReplyDeleteWhen we wrote our first book, we had it with an agent. He kept it for months and then told us he didn't know where to pitch it. After giving it to another agent, who still couldn't sell it, we decided on subsidy publishing. Thereafter, we were blessed with two small, indie publishers. But we decided we had more control in self-publishing. We are very happy with the decision.
DeleteHi thankks for posting this
ReplyDelete