As an editor, one of my biggest annoyances is the use of unnecessary
dialogue tags. What I mean is the obsessive use of “he said” and “she said.”
A friend insists on tagging every instance of dialogue with one
of these. For me, this habit is like fingernails on the blackboard. His excuse
is he took a writing class years ago where the instructor insisted the word “said”
is invisible. I told him I found it annoying, so obviously it wasn’t invisible.
He continues to write tagging every instance with “said,” and I refuse to read
his books.
So, if you don’t use these tags, how do you let the reader
know who is speaking?
First, write distinctive voices for your characters. If you
have two characters and each of them has a distinctive speech pattern, rhythm,
and POV, it may not be necessary to tag their words at all. Your reader should
be able to identify the speaker simply from the word choice and position
advocated by each.
If the conversation is between a man and a woman, the words
may also be quite obvious.
But in cases where the scene features several characters, it
may be necessary to indicate the speaker. One of the easiest ways to accomplish
identification is by using actions. People aren’t just talking heads. They
move, make gestures, and interact in nonverbal ways.
It helps for the writer to determine what each character
does when under stress. Do they bite their nails, twist their hair, tense their
jaw or clench a fist? When quizzical, does the character raise an eyebrow or
frown or do a double take? Each of these reactions will not only help identify
the speaker but also give depth to the character.
Are the characters drinking coffee? They can pick up their
cups, take a sip, slam the cup down, etc. These actions can show the emotions
involved as well as identify the speaker. If they are walking down the street,
they can stop, turn, face another character, wave at a friend, etc.
What about body language? If a character leans forward, they
are interested in what the other person is saying. If they lean back, they may
either be resistant or they may relax. If characters are comfortable (and
young), they may pull their feet up on the chair. If they are resistant, they
may fold their arms. These gestures can add a level of subconscious information
to the scene.
If characters are angry, they can slam drawers or doors,
stomp out, thrust out their chins, etc.
The next time you are tempted to write “he said” or “she
said,” try to find a more creative and interesting way to convey the identity
of the speaker. Your readers will thank you.
Do you have other ways of identifying speakers? If so, what
are they?