Lorna: My guest today is James Callan.
I had the privilege of reading his latest book, How to Write Great Dialog, before
it was published. I recommend it for all writers. Welcome, James.
First, let me thank Lorna for inviting me. She asked that I give a
little summary of my latest book, How to Write Great Dialog (Oak Tree
Press, 2014).
First I discuss what I call “natural” dialog, what we hear every
day, on the street, in the post office or grocery store, at church, and at
home. And then I talk about how this is different from “novel” dialog, what you
put into a novel. Novel dialog must be better, tighter, more powerful than
natural dialog.
As an example, ask yourself how many times you’ve thought of a
great response to someone, but too late. For the novelist, it isn’t too late.
The novelist can put it in tomorrow or next week. She can select the right
word, even if she has to check her thesaurus. The novelist can make it better.
I discuss what dialog must do. It is generally agreed that dialog
should either advance the plot or enhance the reader’s understanding of a
character. Here and throughout the book, I give many examples to illustrate the
ideas.
The three types of dialog are outlined: regular dialog, summation
dialog, and internal dialog.
Regular
dialog can do many
other things, such as setting the scene, creating tension, providing
foreshadowing, showing relationships, and other aspects of the novel. And it
can do these and still meet the requirement of advancing the plot or our
understanding of a character.
Summation
dialog is just
what its name says. It summaries what has happened. But I tell you what this
type of dialog can and cannot or should not do.
I spend a good bit of time on internal
dialog, what I call the Super Dialog.
I give the three reasons why it is so important, and of course, include many
examples.
You often hear you should have conflict on every page. I explain
just how you can do that using dialog. Here are three examples from my suspense
book A
Ton of Gold (Oak Tree Press, 2013).
“I shouldn’t have done that, Crissie.”
“My name is Crystal.” (This shows tension between two people.)
“I’ll go ask if she wants to see you.”
“Mr. O’Malley, I’ve known Crystal a lot longer than you have. I
probably understand her and her feelings better, too. I’m going to offer my
sympathy. And you can stay here.”
(Here, we’ve established real tension between these two men.)
All three of these put conflict on a page through dialog. This is
a perfect example of showing not telling.
Attribution is often discussed at writer’s groups. I go into how
and when to handle this. This is important as it shows ways to make the book
read smoothly.
I talk about the importance of establishing a dialog signature for
your major characters. This is an area often overlooked, yet very important.
Briefly I cover the need to consider the audience the speaker is
addressing. It isn’t enough to consider the speaker. You must also take into
consideration the hearer. There is a chapter on the use of dialects and
accents, how to handle them and not slow the reader.
And last, I give the basic rules of the road. How do you correctly
handle the punctuation in various situations? These seem simple, but today,
many books are printed with gross mistakes in this area. For example, when does
a question mark go inside the quotation mark and when does it go outside.
To help clarify many of the concepts, I have included over 80
examples. To cement the ideas, I’ve added in 40 exercises.
Thank you, Lorna, for having me on your blog. I hope your readers
find this information helpful.
James R.
Callan
After a
successful career in mathematics and computer science, receiving grants from
the National Science Foundation and NASA, and being listed in Who’s Who in Computer Science and Two Thousand Notable Americans, James R.
Callan turned to his first love—writing.
He wrote a monthly column for a national magazine for two years, and
published several non-fiction books. He
now concentrates on his favorite genre, mystery/suspense, with his sixth book
releasing in Spring, 2014.
Website: www.jamesrcallan.com
Amazon
Author page: http://amzn.to/1eeykvG
Twitter: @jamesrcallan
A Ton of
Gold, (Oak Tree
Press, 2013)
On Amazon in
paperback and Kindle editions: http://amzn.to/UQrqsZ
How to Write
Great Dialog, (Oak Tree
Press, 2014)
On Amazon in paperback: http://amzn.to/1f2XE9u
